Articles by Anna Rubin
"On Forêt profonde” in Portraits polychrome-Francis Dhomont,  " Ina, 2006,
(in French); extract in English at: http://www.ina.fr/grm/acousmaline/polychromes/index.fr.html.
based on her Ph.d dissertation, "Foręt Profonde: The Narrative, Sonic and
Reception Design of Francis Dhomont's Foręt Profonde," 2000.
Women in Experimental Music,” Encyclopedia of Women in Music, Oryx Press, 2003.
"As I Compose at the Computer...." in Audible Traces: Gender, Identity, and Music, Elaine Barkin
and Lydia Hamessley, editors, Carciofoli Verlagshaus, Zurich, 2000.
"An Appreciation of Mel Powell," Aperiodical, Valencia, CA, Vol. 3, 1992
"Non-Profit New Music Organisations in the U.S.," American Music Center Newsletter, Fall, 1985
“American Music Week,” editor, American Music Center Newsletter, Spring, 1985
"Who Records New Music in the U.S.," American Music Center Newsletter, Spring 1984.
Book and CD reviews
Electrouacoustic Music, Analytic Perspectives in Perspectives of New Music, Fall 2003,
co-written with Lewis Berman.
“Alibi,” of Jacques Tremblay, SonicArts, Journal of the Sonic Art Society of Great
Britain. (Fall 2000).
“Aerosol ,” of Ned Bouhalassa, Computer Music Journal Volume 24, No. 3 (Fall 2000)
“Shreds of Evidence,” of First Avenue, Computer Music Journal Volume 24, No. 1, 2000
"Frantic Mid-Atlantic," review of Evelyn Ficarra CD in Journal of the Sonic Arts
(Spring 2000) Network, UK, July 1999
astonishing sense," review of Susan Frykberg CD in Computer Music Journal, Winter, 2000.